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Heather Cairncross

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A Gluck Opera Revisited With Naked Memories Of A Mud Facepack And Raspberry Syrup

Photograph of choreographer Pina Bausch by Thomas Lohnes/AFP/Getty ImagesThis week I start rehearsals for a Glück Opera at Sadler’s Wells Theatre which has brought back naked memories of being covered with a mud facepack and my head being dipped in raspberry syrup. It’s for the German based, Pina Bausch Dance Company and apart from singing I have no idea what will be involved. Glück’s Iphigenie en Tauride was actually my first professional engagement as a singer.

In my final year of Guildhall – many moons ago – I went on a four week, summer school at Dartington in Devon. The course was grandly entitled Music, The Mask and Mime – or something equally enticing. The composer in residence was Harrison Birtwistle – a famously dour, Lancastrian and together with another composer John Woolrich, my bemused colleagues and I set out on four weeks of improvisation, confusion and discovery. Three things from this time stick in my mind – the constant rain – a terribly embarrassing incident with an alarm clock during a live radio broadcast, which I was convinced would end my career before it had even started – and
an unexpected audition with the notorious, Australian opera director, David Freeman.

When the course finished and I returned home to my digs in London, I got a call offering me a part as one of five chorus members in Opera Factory Zürich’s revival of Glück’s Iphigenia, which would rehearse in Switzerland and go on to perform at the Adelaide Festival in Australia. Imaging my delight – especially after I thought I’d committed such a heinous alarm clock crime that I would never work again as a musician. (Maybe I’ll write about that incident in another blog post, but, in the manner of Ronnie Corbett – I digress). I was in my final year at College and at first they said i couldn’t have the four weeks off – fortunately my wonderful singing teacher, Laura Sarti convinced them that this experience was too good a chance to miss and the ‘powers that be’ finally relented.

Opera Factory Zürich's production of Iphigenie (censored!)The Opera was a very dark piece about human sacrifice and our costume was mostly made up of a mudpack and a rough-hewn, rag skirt – for both boys and girls. My Dad later said that the set resembled a large,curved, dog turd – and I know what he meant. We spent a lot of time trying to look very primitive, hiding in our burrows and grooming each other before our big chorus number.  (I have censored this picture but you get the idea!) We then crept off, removed our skirt, dipped our heads in a bucket of raspberry syrup and jumped onto stage on all fours looking like the dogs of war. We sang whilst shaking our heads and getting red splatter all over the front row. After that we had a quick wash and re-applied the mud, which was hastily dried by stage management armed with hairdryers. Complete with skirts again, we slowly appeared in our burrows as if nothing had happened. When you’re young and you’ve had 6 weeks of intensive rehearsal you really don’t think anything of such adventures. Also the shows were in Australia so I didn’t think anybody I knew would see me.

Two years later the show was revived at the QEH on London’s South Bank.

My Dad whispered to my little sister on opening night “I can recognise Heather’s bare bum anywhere”. The rather unfortunate thing about the final scene was after a big onstage fight your mud rather wore off on any parts of your body that stuck out. They then brought up the lights and we had to line up and do a bow. The QEH is quite an intimate venue and we were very close to the front row of the audience.

A few years ago I was given some complimentary tickets to see a BBC Singers Concert in a large Church in Hove as part of the Brighton Festival. There was to be a premiere of a new piece written by John Woolrich (remember him, from the original Dartington Summer School course?). He walked down the aisle of the church towards the comp seats and I said “Hello John, you probably won’t remember me.”

“Heather Cairncross” he bellowed loudly, rather upsetting the fine ladies of Hove, “I remember your breasts!”

It turned out he’d been sitting in the front row of the QEH right in front of  my bow. I’d obviously made an impression…..

So, I was very glad to hear we would be wearing all black for the Pina Bausch ballet and our clothes should come to our neck and cover all of our skin except our faces.

To be continued…….

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2 Comments

on A Gluck Opera Revisited With Naked Memories Of A Mud Facepack And Raspberry Syrup.
  1. Geof Dolton
    22/11/2015 @ 21:30
    -
    Reply

    Trying to get a list all my roles together, I came upon your blog this evening. I remember well the raspberry syrup, mixed with stage blood, flying everywhere, and being ‘bitten’ by you and the other three hounds from hell whilst tied to a stake, trying to sing a very lyrical aria…. Happy days! Hope all is good with you ( and your magnificent breasts!). GD

    • Heather
      23/11/2015 @ 09:22
      -
      Reply

      How nice to hear from you Geoffrey – twas a VERY long time ago indeed. Lots of love to you! Hx

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Heather Cairncross Singer

3 months ago

Heather Cairncross Singer

This Sunday in Brighton (my first gig there in soooooo long). I’ll be joining an amazing group of creative spirits led by pianist Mark Edwards for a new project The Common Rooms which brings together all things artistic, creative and positive. Please come and support such lovely idea!

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4 months ago

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Delighted to be a part of this inspirational new project.

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5 months ago

Heather Cairncross Singer

Never fails to amaze! Tokyo Opera City with Synergy Vocals and Colin Currie Group #musicfor18musians

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7 months ago

Heather Cairncross Singer

Not long now!

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10 months ago

Heather Cairncross Singer

I can honestly say I’ve never been better prepared for a recording!And, finally, our version of #musicfor18 with Colin Currie Group is about to be immortalised 🙂. Big day tomorrow when I hope we can realise all those little details that matter so much🤞.

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Heather Cairncross Singer

11 months ago

Heather Cairncross Singer

Onwards to Berkeley on the West Coast!Wonderful article in The New York Times about Steve Reich + the premiere of Traveler’s Prayer which gets its West Coast premiere TOMORROW at Cal Performances! "Reich’s sound is by now central to the history of American classical music — and modern art more generally. "We are honored and SO excited for this program with Colin Currie Group and Synergy Vocals! READ 👇 www.nytimes.com/2022/11/02/arts/music/steve-reich.html?searchResultPosition=1

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A Gluck Opera Revisited With Naked Memories Of A Mud Facepack And Raspberry Syrup - Heather Cairncross UK Jazz Singer