• HOME
  • ABOUT
  • NEWS
  • ALBUM
  • LISTEN
  • CONCERTS
  • MEDIA
  • VIP LIST
  • CONTACT
Type and hit ENTER
  • HOME
  • ABOUT
  • NEWS
  • ALBUM
  • LISTEN
  • CONCERTS
  • MEDIA
  • VIP LIST
  • CONTACT
Genres
  • AT LAST- ALBUM
  • BAROQUE & CLASSICAL
  • JAZZ AND POP
  • FILM, TV & ADS
  • THEATRE
Media Navigation Menu
  • VIDEOS
  • REVIEWS
  • GALLERY
  • RECORDING

Heather Cairncross

Singer

  • HOME
  • ABOUT
  • NEWS
  • ALBUM
  • LISTEN
  • CONCERTS
  • MEDIA
  • VIP LIST
  • CONTACT

Beethoven 9 in St Paul’s Cathedral | with the LSO, Monteverdi Choir and Sir John Eliot Gardiner

The view of St. Paul's Cathedral as we come to the rehearsal with the LSO of Beethoven 9th SymphonyOn Thursday July 8th,  I went off to St. Paul’s Cathedral to rehearse and perform Beethoven’s epic 9th Symphony with Sir John Eliot Gardiner conducting the London Symphony Orchestra. This was part of the City of London Festival and the last in a series of concerts we began in January.

The first concert was in Basingstoke followed by short hops to Madrid, Paris and then the LSO’s home at the Barbican Hall in London.

I remember the Paris trip being particularly gruelling as we had to get up at 4am to drive to Haywards Heath to catch the first train to London. It was during that bitter patch of winter weather and neither the platform nor the train had any heating – I arrived at St Pancras International feeling like a block of ice. We took the eurostar to Paris and rehearsed for three hours at the Salle Pleyel. We were returning home straight after the concert and so didn’t have a hotel room and therefore no chance for a nap. We had lunch and then crammed into the green room until the late afternoon performance.  The choir doesn’t sing until the last of the four movements but we are onstage for the whole symphony. The big challenge was to stay awake during the beautiful slow movement…….quite a few of the tenors and basses didn’t manage it and even the Bass Soloist’s head was drifting down and jerking up as he struggled along with the rest of us. After the concert we piled on the bus to Gare du Nord and caught the Eurostar back to London. We then had to catch the train and pick up the car – finally arrived home at 1am – a very long day!

When John Eliot persuaded the LSO to use his own choir for this project instead of the LSO Chorus, he committed us to learning the piece from memory. The famous ‘Ode to Joy” was to be sung in the original German, and I spent most of Christmas with my iPod trying to memorise the words. As we’d had nearly a six month break since the Barbican, I had to dust off the iPod again and dredge up ‘Freude schöner götterfunken” from the depths of my memory banks.

We rehearsed with the soloists in the choir room in the crypt of St. Paul’s and I have to tell you – it was LOUD!

Sadly the Soprano soloist Rebecca Evans had to pull out at the last minute because of a family bereavement, but we had a wonderful last minute replacement in Lucy Crowe. Both sopranos had sung solos for the choir in 2009 during the tour of Haydn’s Seasons and Creation.

I’m not sure that the choir room in St Paul’s had ever heard such a huge noise – you could see the names of years of choirboys etched into the wooden benches. Even the tenor soloist put his hands over his ears when the choir let rip.

Gardiner rearranges the LSO horn sectionWe then went up into the Cathedral and started to realise the scale of the task in hand. It is a huge and beautiful building and when the music stopped I counted a good five seconds of delay – surely this would be like listening in an enormous bathroom? – we could only hope the audience would soak up some of the sound. JEG set to work moving the french horns and soloists and re-arranging the choir in order to try and improve the balance – he often does this when we first arrive in concert halls as we never know what the balance will be like.

You can’t rely on standing next to someone of your own voice part – often you can almost be in the tenor section or have the basses singing right behind you – something I have come to enjoy, although it was a bit of a shock when I first started with the Monteverdi Choir three years ago. It was a quick rehearsal for the choir (with some lucky tourists watching the proceedings) and JEG commented that the concert would probably be good for the first eight rows and the last eight rows so we’d just have to do the best we could. We left the orchestra rehearsing the other movements and headed off for a very long lunch.The concert was at 8pm so, for those who don’t live in London, there was a long wait.

Every one of the 2200 seats were sold and when we walked on stage it was a wonderful sight. Before we began, a prayer was read which was composed by Beethoven on realising that his deafness was incurable. He was only 32 and we were reminded that he never actually heard the music at the first performance of the symphony and he commented that he had to be turned around to see the rapturous applause from the audience and had sobbed bitterly. A sobering thought.

O God, give me strength to be victorious over myself,
for nothing may chain me to this life.
O guide my spirit,
O raise me from these dark depths,
that my soul, transported through your wisdom,
may fearlessly struggle upward in fiery flight.
For you alone understand and can inspire me.

Ludwig van Beethoven
(1770-1827)

The reviewer Graham Rogers at Classical Source agreed with me that the acoustic was a worrying feature of this concert but that the sense of occasion gave the concert something really special. He also commented on the choreographed sits and stands of the choir – how else are we to stand except together, trying to cause as minimum disruption as possible?

“This concert should have been a non-starter: unlike such grandiose works as Verdi’s “Messa da Requiem” or even Elgar’s “The Dream of Gerontius”, Beethoven’s ‘Choral’ Symphony teems with far too much intricacy to succeed in the cavernous acoustic of St Paul’s Cathedral. And yet somehow, magically, Sir John Eliot Gardiner pulled off a triumph………The choreographed standing of each section of the Monteverdi Choir before its members started to sing was rather comic, but they sang their socks off – making all the more impact without scores to get in the way……..The hell-for-leather abandon in the sprint to the finish was exhilarating. Although a lot of crucial detail was smudged over, perhaps this performance worked so well because, rather than in spite of the acoustic. The magisterial reverb provided a mystical aura which worked wonders at blending and cosseting. Whatever the truth, this was a great occasion which the thousands who attended will surely remember for a long time.”

read the full review

He’s correct about that – the concert, the setting and the occasion will certainly remain in my memory.

Email
2 Comments

Related News

Other posts that you should not miss.
Flyer for Dee Palmer's Nuremberg Cantata

Singing And My Time Management Struggle

This week I want to talk about singing and the struggle I have with time management. Remember that …

Read More
Heather Cairncross sings a short solo at the 2012 John Wilson Orchestra's BBC Promenade The Broadway Sound

The Broadway Sound | Singing In The John Wilson Prom 2012

Last night I took part in The Broadway Sound with The John Wilson Orchestra, Yes it’s that time …

Read More
Jonny Greenwood sounchecks Electric Counterpoint

Jonny Greenwood soundchecks Electric Counterpoint

I took these photos whilst enjoying  Jonny Greenwood’s soundcheck for Steve Reich’s Electric Counterpoint in Krakow at the …

Read More
← PREVIOUS POST
Jo Hisaishi at Abbey Road | Back in the studio with the choir for Tolga Kashif's Genesis Suite
NEXT POST →
Recording Solo Vocals on The Genesis Suite with composer Tolga Kashif

2 Comments

on Beethoven 9 in St Paul’s Cathedral | with the LSO, Monteverdi Choir and Sir John Eliot Gardiner.
  1. Nicola Cairncross
    13/07/2010 @ 13:46
    -
    Reply

    Brilliant post Heather – I almost felt like I was there and the bit about Beethoven sobbing made me well right up myself! Keep up the good work – it’s a fascinating and funny view behind the scenes on the work that goes into putting on such a big concert!

  2. Dee Palmer
    15/07/2010 @ 12:48
    -
    Reply

    This is the kind of stuff that the Jacks and Jills of audiences world wide – and everyone else for that matter – want to read about, get to know and understand.
    More please – and keep it coming.

    I bet there’s a load of other professional music stuff that you know the ins and outs of – pun intended – which nobody ever told Jilly Cooper about – let’s hear some of that as well!

    Great start to a blog. I like your piccy too!

Leave a Comment

Your feedback is valuable for us. Your email will not be published.
Cancel Reply

Please wait...
Submit Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Facebook Feed

Heather Cairncross Singer

3 months ago

Heather Cairncross Singer

I can honestly say I’ve never been better prepared for a recording!And, finally, our version of #musicfor18 with Colin Currie Group is about to be immortalised 🙂. Big day tomorrow when I hope we can realise all those little details that matter so much🤞.

… See MoreSee Less


Photo

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

3 months ago

Heather Cairncross Singer

Onwards to Berkeley on the West Coast!Wonderful article in The New York Times about Steve Reich + the premiere of Traveler’s Prayer which gets its West Coast premiere TOMORROW at Cal Performances! "Reich’s sound is by now central to the history of American classical music — and modern art more generally. "We are honored and SO excited for this program with Colin Currie Group and Synergy Vocals! READ 👇 www.nytimes.com/2022/11/02/arts/music/steve-reich.html?searchResultPosition=1

… See MoreSee Less


Photo

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

3 months ago

Heather Cairncross Singer

Never gets old! Missing my besty though!

… See MoreSee Less


Photo

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

4 months ago

Heather Cairncross Singer

A quick turnaround from Brahms with Monteverdi Choir & Orchestras and Philharmonie Luxembourg to Carnegie Hall with Colin Currie Group and Synergy VocalsVibrato on – vibrato off!

… See MoreSee Less

A Steve Reich Celebration Concert | Nov 1, 2022

www.carnegiehall.org

A Steve Reich Celebration. An all-Reich program, including a US premiere co-commissioned by Carnegie Hall. Tuesday, November 1, 2022 at 8 PM.

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

9 months ago

Heather Cairncross Singer

Hoorah!Carnegie Hall has announced its 2022–23 concert season, including Rhiannon Giddens, who will lead four concerts as a Perspectives artist for the season; past Perspectives artists Kronos Quartet; and an all–Steve Reich program performed by Colin Currie Group and Synergy Vocals: www.nonesuch.com/journal/carnegie-hall-2022-23-season-rhiannon-giddens-kronos-quartet-steve-reich…

… See MoreSee Less


Photo

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

9 months ago

Heather Cairncross Singer

"Ca-li-fo-nia here I/we come"!

… See MoreSee Less

Cal Performances sets 2022-23 season of stars and world premieres in Berkeley

www.mercurynews.com

Cal Performances’ 2022-23 season features a Steve Reich celebration; Yo-Yo Ma “super trio”; Mark Morris Dance; William Kentridge opera, much more.

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

  • Terms
  • Privacy
  • Archive

Join Heather's VIP List

Get an exclusive unreleased track to download when you confirm.

Subscribe and stay updated with the latest news from Heather.
We will never give your details to anybody else!



Beethoven 9 in St Paul's Cathedral | with the LSO, Monteverdi Choir and Sir John Eliot Gardiner - Heather Cairncross UK Jazz Singer