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Heather Cairncross

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The original coevr of Dolly Parton singing I Will Always Love You

The Cover Story As Standard

The puzzling story of the Cover as opposed to the Standard.
Remember that I love to read your comments so feel free to comment in the box below this post.
Music Week Magazine presents unsigned acts in MayThis month the title track of my CD At Last will be featured on the MusicWeek sampler of unsigned acts for May. I know it’s out, as Keith Ames from the Musician’s Union spotted it and kindly sent me an email. Click on the image to link to the Music Week Presents page on the Playlist menu.

When I was selected, I got an email from the young girl co-ordinating the 14 artists, asking me “Please forgive my ignorance but are they all covers, do you have an original?”

The album is all classic standards: love songs. I replied that yes, by modern parlance they were all covers – did that make me ineligible for the CD? It seemed not because happily they placed my song in the first position on the CD which goes out to all industry subscribers of Music Week.

It did make me think about the modern phenomena of the ‘cover’.

Dutch Soprano Lenneke Ruiten passionately sings an aria

Lenneke Ruiten ‘covers’ an aria?

When people sing a Mozart Aria they don’t change the notes or words – the difference they bring to the music is their own interpretation by nuance, use of language, dynamics and ultimately, the colour and tone of their instrument – their own voice.Is that a cover?

In Jazz it goes a bit further – it’s the same song, but the artist will improvise around the melody, perhaps alter the chord voicing, even replace the chords. They will definitely alter the rhythm, probably each time they perform it to put their own feel on it.  Is that a cover?

When I recorded my album of popular standards, at the end of two days we had fifty-four complete tracks to chose from. We chose eighteen and eventually whittled that down to fourteen because of the time constraints of the CD format.  For some songs there were as many as six versions.  Each one was completely different from the previous version. David Newton was driving the changes as the accompaniment, which he improvised on the spot, was very different in feel and musical content. This prompted me to respond with different vocals. In my opinion, his arrangements crossed over towards composition.

So was it technically an album of covers?

I was musing on this phenomena with my bass player Steve Thompson, who was recently asked by a young girl singer at a rehearsal “Is that right?” when she sang the tune of a Gershwin song. “What do you mean by right?” he asked. “Like the singer?” she replied.

Frank Sinatra and Ella FitzgeraldHow interesting that her idea of the correct version of a song was the singer’s version of a standard song (or cover). This recording went quite far away from the printed sheet music. Does that make the young singer’s new version a cover of a cover? Surely Ella Fitzgerald and Frank Sinatra could be said to have recorded the definitive cover versions of many of the popular standard repertoire. I don’t think that makes them less valid or indeed, any less fantastic.

I looked up the definition of the words cover and standard: here are the general and then specifically musical definitions:

Standard: a level of quality or attainment.
A tune or song of established popularity

Cover: put something on top of or in front of (something) in order to protect or conceal it.
Record or perform a new version of (a song) originally performed by someone else.

Wikipedia have a very good page going into depth of the history of the term Cover Version which you can peruse at your leisure.

Originally it referred to a rival version of a recording on another label in competition with the original. The Chicago Tribune described the term in 1952 as “trade jargon meaning to record a tune that looks like a potential hit on someone else’s label.”

Dionne Warwick suffered from that phenomena in the UK as Cilla Black raced to release versions of Burt Bacharach songs before Warwick’s record company could release her version. Most noteably Anyone who had a heart, which went to number one. Warwick famously said “I told her that You’re My World would be my next single in the States. I honestly believe that if I’d sneezed on my next record, then Cilla would have sneezed on hers too. There was no imagination in her recording.” Indeed Black did recorded “You’re My World” shortly after that meeting but it was not released as a single by Warwick. (It did eventually appear on the 1968 album, Dionne Warwick in Valley of the Dolls.)

The original coevr of Dolly Parton singing I Will Always Love YouThere are of course many examples of cover versions becoming more successful than the originals. Whitney Houston’s 1992 version of I Will Always Love You was originally written and recorded in 1974 by Dolly Parton. You don’t hear  Dolly complaining though, as she would have reaped the rewards by publishing the song.

Which leads me to the reason NOT to record cover versions – the hefty MCPS/PRS bill which you have to pay to manufacture the CDs. For my first one-thousand copies printed, the bill was over £560 – and that was with 250 promotional copies that were exempt from a licence fee.

Incentive indeed to write your own standards and let other people do the covering!

As always, if you enjoyed this blog and would like to know when I write a new article, don’t forget to add your email address to the VIP list page on the pink navigation bar. You also get an exclusive unreleased track as a reward! Don’t forget to click on the link in the email which you receive to confirm your interest. Your email address is completely confidential.

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2 Comments

on The Cover Story As Standard.
  1. Nicola Cairncross
    24/05/2012 @ 18:47
    -
    Reply

    Hiya H. I couldn’t help notice on Breakfast TV this morning, that the much vaunted new album by Rumer is all covers, albeit of songs previously recorded by men! So your Music Week mention is not a review then but the Unsigned CD coming out? Can’t wait to see it! Nicola

  2. Mary Carewe
    24/05/2012 @ 19:31
    -
    Reply

    Now Heather – did you run into the publishing phenomenon of having to get your new ‘cover’ version ‘approved’ by the copyright holder as it is deemed to be a new arrangement?!?!
    Well that’s a whole other thang…
    For me ‘Diamonds are forever’ on my new CD was considered to be a new ‘arrangement’ needing approval from Don Black and Jonh Barry’s wife who is now the copyright holder for her husband’s material whereas Gershwin’s ‘Do it again’ and the many other songs that we did new version’s of we’re considered to be ‘covers’ and so didn’t need special approval! The whole process was painful and would have taken many months to sort out had it been left to the publishers who seemed to find it difficult to contact the copyright holders (?!) However, I know Don Black and he had already told me how much he loved our interpretation of the song so he kindly contacted the publishers for me – kind of the wrong way round I think!!
    We had a similar thing on my last CD with a radical re-working of Gershwin’s ‘Summertime’ but on that occasion the publishers were quicker to get a response to me and I didn’t have to chase it up too hard! The difference between a ‘cover’ and a new ‘arrangement’ – mmmm…not sure?? (And not sure the publishers all agree on that one either!!)
    X

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Heather Cairncross Singer

2 months ago

Heather Cairncross Singer

Hoorah!Carnegie Hall has announced its 2022–23 concert season, including Rhiannon Giddens, who will lead four concerts as a Perspectives artist for the season; past Perspectives artists Kronos Quartet; and an all–Steve Reich program performed by Colin Currie Group and Synergy Vocals: www.nonesuch.com/journal/carnegie-hall-2022-23-season-rhiannon-giddens-kronos-quartet-steve-reich…

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2 months ago

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Cal Performances’ 2022-23 season features a Steve Reich celebration; Yo-Yo Ma “super trio”; Mark Morris Dance; William Kentridge opera, much more.

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9 months ago

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This Sunday, October 3rd, marks an extraordinary anniversary for one of music’s greatest pioneers – the 85th birthday of Steve Reich. Of the many causes for celebration on this day, I would perhaps …

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Heather Cairncross Singer

9 months ago

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Coming back to Cardiff!CCG is delighted to announce its appearance at this year’s Festival of Voice – Gŵyl y Llais in Cardiff on November 4th. This will also mark the group’s debut at the Wales Millennium Centre – Canolfan Mileniwm Cymru. Mark your diaries now!! We haven’t performed Steve Reich ‘Drumming’ since 2019 and are itching to share this music again with you!Colin Currie GroupSynergy Vocals4/11/2021 🏴󠁧󠁢󠁷󠁬󠁳󠁿 www.wmc.org.uk/en/festival-of-voice/festival-of-voice-passes

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Heather Cairncross Singer

10 months ago

Heather Cairncross Singer

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Heather Cairncross Singer
is feeling excited.

11 months ago

Heather Cairncross Singer

Hampshire folks – THIS COMING TUESDAY @ 18:00. Click on the link and choose 10th August for details and booking. It’s a scorching trio! www.winchfieldfestival.org/festival-lineup.html Just checking though my charts and searching for David Newton gold (I give him the red pen on a gig and he occasionally adds his harmonic wisdom – although in truth he plays with the hell he likes on the day and I’m VERY happy with that). We’d be so happy to see you there.(photo by Daniel Joy)

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The Cover Story As Standard - Heather Cairncross UK Jazz Singer