fbpx
  • HOME
  • ABOUT
  • NEWS
  • ALBUM
  • LISTEN
  • CONCERTS
  • MEDIA
  • VIP LIST
  • CONTACT
Type and hit ENTER
  • HOME
  • ABOUT
  • NEWS
  • ALBUM
  • LISTEN
  • CONCERTS
  • MEDIA
  • VIP LIST
  • CONTACT
Listen to different genres
  • AT LAST- ALBUM
  • BAROQUE & CLASSICAL
  • JAZZ AND POP
  • FILM, TV & ADS
  • THEATRE

Heather Cairncross

Jazz Singer

  • HOME
  • ABOUT
  • NEWS
  • ALBUM
  • LISTEN
  • CONCERTS
  • MEDIA
  • VIP LIST
  • CONTACT
The original coevr of Dolly Parton singing I Will Always Love You

The Cover Story As Standard

The puzzling story of the Cover as opposed to the Standard.
Remember that I love to read your comments so feel free to comment in the box below this post.
Music Week Magazine presents unsigned acts in MayThis month the title track of my CD At Last will be featured on the MusicWeek sampler of unsigned acts for May. I know it’s out, as Keith Ames from the Musician’s Union spotted it and kindly sent me an email. Click on the image to link to the Music Week Presents page on the Playlist menu.

When I was selected, I got an email from the young girl co-ordinating the 14 artists, asking me “Please forgive my ignorance but are they all covers, do you have an original?”

The album is all classic standards: love songs. I replied that yes, by modern parlance they were all covers – did that make me ineligible for the CD? It seemed not because happily they placed my song in the first position on the CD which goes out to all industry subscribers of Music Week.

It did make me think about the modern phenomena of the ‘cover’.

Dutch Soprano Lenneke Ruiten passionately sings an aria

Lenneke Ruiten ‘covers’ an aria?

When people sing a Mozart Aria they don’t change the notes or words – the difference they bring to the music is their own interpretation by nuance, use of language, dynamics and ultimately, the colour and tone of their instrument – their own voice.Is that a cover?

In Jazz it goes a bit further – it’s the same song, but the artist will improvise around the melody, perhaps alter the chord voicing, even replace the chords. They will definitely alter the rhythm, probably each time they perform it to put their own feel on it.  Is that a cover?

When I recorded my album of popular standards, at the end of two days we had fifty-four complete tracks to chose from. We chose eighteen and eventually whittled that down to fourteen because of the time constraints of the CD format.  For some songs there were as many as six versions.  Each one was completely different from the previous version. David Newton was driving the changes as the accompaniment, which he improvised on the spot, was very different in feel and musical content. This prompted me to respond with different vocals. In my opinion, his arrangements crossed over towards composition.

So was it technically an album of covers?

I was musing on this phenomena with my bass player Steve Thompson, who was recently asked by a young girl singer at a rehearsal “Is that right?” when she sang the tune of a Gershwin song. “What do you mean by right?” he asked. “Like the singer?” she replied.

Frank Sinatra and Ella FitzgeraldHow interesting that her idea of the correct version of a song was the singer’s version of a standard song (or cover). This recording went quite far away from the printed sheet music. Does that make the young singer’s new version a cover of a cover? Surely Ella Fitzgerald and Frank Sinatra could be said to have recorded the definitive cover versions of many of the popular standard repertoire. I don’t think that makes them less valid or indeed, any less fantastic.

I looked up the definition of the words cover and standard: here are the general and then specifically musical definitions:

Standard: a level of quality or attainment.
A tune or song of established popularity

Cover: put something on top of or in front of (something) in order to protect or conceal it.
Record or perform a new version of (a song) originally performed by someone else.

Wikipedia have a very good page going into depth of the history of the term Cover Version which you can peruse at your leisure.

Originally it referred to a rival version of a recording on another label in competition with the original. The Chicago Tribune described the term in 1952 as “trade jargon meaning to record a tune that looks like a potential hit on someone else’s label.”

Dionne Warwick suffered from that phenomena in the UK as Cilla Black raced to release versions of Burt Bacharach songs before Warwick’s record company could release her version. Most noteably Anyone who had a heart, which went to number one. Warwick famously said “I told her that You’re My World would be my next single in the States. I honestly believe that if I’d sneezed on my next record, then Cilla would have sneezed on hers too. There was no imagination in her recording.” Indeed Black did recorded “You’re My World” shortly after that meeting but it was not released as a single by Warwick. (It did eventually appear on the 1968 album, Dionne Warwick in Valley of the Dolls.)

The original coevr of Dolly Parton singing I Will Always Love YouThere are of course many examples of cover versions becoming more successful than the originals. Whitney Houston’s 1992 version of I Will Always Love You was originally written and recorded in 1974 by Dolly Parton. You don’t hear  Dolly complaining though, as she would have reaped the rewards by publishing the song.

Which leads me to the reason NOT to record cover versions – the hefty MCPS/PRS bill which you have to pay to manufacture the CDs. For my first one-thousand copies printed, the bill was over £560 – and that was with 250 promotional copies that were exempt from a licence fee.

Incentive indeed to write your own standards and let other people do the covering!

As always, if you enjoyed this blog and would like to know when I write a new article, don’t forget to add your email address to the VIP list page on the pink navigation bar. You also get an exclusive unreleased track as a reward! Don’t forget to click on the link in the email which you receive to confirm your interest. Your email address is completely confidential.

Email
2 Comments

Related News

Other posts that you should not miss.
BearPaw Music Ltd. Logo

Making An Album – How To Get Your CD Track Names Onto Gracenote

When making an album, you need to get your CD track names onto Gracenote. First, I wanted to …

Read More
Popular Articles

Susan Boyle And Dreaming The Dream Of Being Discovered

On Tuesday I received a text booking me for a session for Susan Boyle’s new CD which set …

Read More
Heather Cairncross in her costume for Outis at La Scala

The Show That Didn’t Go On

Last time I wrote about the show in Buenos Aires that really shouldn’t have gone on, but amazingly …

Read More
← PREVIOUS POST
Just Jazz Magazine Review (May 2012 Edition)
NEXT POST →
Brighton Festival Fringe Gig TONIGHT At The Brunswick

2 Comments

on The Cover Story As Standard.
  1. Nicola Cairncross
    24/05/2012 @ 18:47
    -
    Reply

    Hiya H. I couldn’t help notice on Breakfast TV this morning, that the much vaunted new album by Rumer is all covers, albeit of songs previously recorded by men! So your Music Week mention is not a review then but the Unsigned CD coming out? Can’t wait to see it! Nicola

  2. Mary Carewe
    24/05/2012 @ 19:31
    -
    Reply

    Now Heather – did you run into the publishing phenomenon of having to get your new ‘cover’ version ‘approved’ by the copyright holder as it is deemed to be a new arrangement?!?!
    Well that’s a whole other thang…
    For me ‘Diamonds are forever’ on my new CD was considered to be a new ‘arrangement’ needing approval from Don Black and Jonh Barry’s wife who is now the copyright holder for her husband’s material whereas Gershwin’s ‘Do it again’ and the many other songs that we did new version’s of we’re considered to be ‘covers’ and so didn’t need special approval! The whole process was painful and would have taken many months to sort out had it been left to the publishers who seemed to find it difficult to contact the copyright holders (?!) However, I know Don Black and he had already told me how much he loved our interpretation of the song so he kindly contacted the publishers for me – kind of the wrong way round I think!!
    We had a similar thing on my last CD with a radical re-working of Gershwin’s ‘Summertime’ but on that occasion the publishers were quicker to get a response to me and I didn’t have to chase it up too hard! The difference between a ‘cover’ and a new ‘arrangement’ – mmmm…not sure?? (And not sure the publishers all agree on that one either!!)
    X

Leave a Comment

Your feedback is valuable for us. Your email will not be published.
Cancel Reply

Please wait...
Submit Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.


Heather Cairncross Singer

4 months ago

Heather Cairncross Singer

Take 2!

… See MoreSee Less

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

5 months ago

Heather Cairncross Singer

UPDATE. Well it seems it was too good to be true….following the government’s unclear announcement the managers of the pub have cancelled the jazz for now. I’m really sorry if you’ve booked a table but you now need to call and cancel to make sure they don’t take your deposit. Hopefully we’ll revive this gig in the near future. I KNOW!!!! This Sunday lunchtime in Brighton

… See MoreSee Less

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

5 months ago

Heather Cairncross Singer

The Swingles & The Stay at Home Choir – You’re All I Need to Get By

… See MoreSee Less


Video

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

6 months ago

Heather Cairncross Singer

In the absence of any live Prom concerts (courtesy of Covid 19), the BBC is re-running many gems from previous years. Tonight on BBC4 at 19.00 is @johnwilsonorchestra with a starry cast of soloists and the ever splendid @maidavalesingers in ‘The Broadway Sound’. Possibly the campest ever prom?Back in 2012 when this concert was recorded, I still wrote a backstage blog which may interest some of you – it seems a lifetime ago and I sincerely hope that those wonderful concerts will be back in business next year – in fact any concerts…..the prospects seems rather bleak at the moment.heathercairncross.com/the-broadway-sound-singing-in-the-john-wilson-prom-2012/

… See MoreSee Less


Photo

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

6 months ago

Heather Cairncross Singer

Oh yes indeed, it’s the one where I have the six word Jimmy Durante stylee solo

… See MoreSee Less

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

Heather Cairncross Singer

7 months ago

Heather Cairncross Singer

A message from wonderful and prolific choral composer James Macmillan.

… See MoreSee Less

James MacMillan: Let’s get Scotland singing again

www.scotsman.com

As we move out of lockdown, a return to putting our voices together in song should be welcomed for the good of the nation, writes Sir James MacMillan

View on Facebook

·
Share



Share on Facebook



Share on Twitter



Share on Linked In



Share by Email

  • Terms
  • Privacy
  • Archive
January 2021
M T W T F S S
 123
45678910
11121314151617
18192021222324
25262728293031
« Jan    

Join Heather's VIP List

Get an exclusive unreleased track to download when you confirm.

Subscribe and stay updated with the latest news from Heather.
We will never give your details to anybody else!



The Cover Story As Standard - Heather Cairncross UK Jazz Singer